Sunday, February 19, 2017

I'd buy that for a dollar

Robocop is one of my top five favorite movies. I think I love it so much because it has a greater depth than it really deserves and it's an unrelentingly well-crafted piece of cinema.

I know that sounds over-the-top when you're discussing a movie with the elevator pitch of "He's a robot cop!" but it's just the truth. The writing is campy without falling into self-parody and handles issues that remain relevant thirty years after its release. The actors are pitch-perfect and crafted line readings that make sentences as simple as "I like it" endlessly quotable. The music is driven and driving, adding subtle undertones of humor and paranoia throughout. The art direction is flawless, the effects are genius (except for maybe Dick Jones' ridiculously long arms at the very end), and as a whole the movie is just entertaining. It's easy to watch but doesn't feel like junk food - it's popcorn cinema that makes you think.

As a huge fan of both Robocop and Twin Peaks I was saddened by the recent passing of the irreplaceable Miguel Ferrer and so jumped at the chance to go to a memorial showing featuring a Q&A with Peter Weller and Ed Neumeier. I got off work and drove to Hollywood to see it with my dad, my sister, and my dad's movie blogging buddy Michael (we didn't get a chance to talk much, Michael, sorry about that, hi! It was nice to meet you). The theater was packed with fans and I actually got a chance to speak to an awesome cartoonist whose work I admire, Kelly Turnbull, who was in the audience as well (her comic is Manly Guys Doing Manly Things and has a Robocop cameo, which you can see below) - she was super sweet, just FYI.

Anyway, Peter Weller was sitting about twelve feet away from me while we watched the film and that was an odd experience. As both Alex Murphy and Robocop his characters endure so much pain that it was more difficult for me to watch knowing the man who had emoted that pain so beautifully was so close - it made it more real for me, I guess. I didn't feel so much of the giddy joy that I normally do when watching Robocop during Weller's scenes because I was busy hurting for him.

Miguel Ferrer's scenes were, of course, more painful this time around too. He's just so fucking good as skeevy businessman Bob Morton. His delivery is perfect, you like him and hate him at the same time, you laugh at him and with him by turns. He was a wonderful actor and watching him in one of his most entertaining roles so soon after his passing is painful. My parents, sister, and I are also currently watching Twin Peaks on our weekly hangout nights so I'm getting a double of this particular sadness.

I don't know how much there is to say about Robocop that I haven't already said. It's a great film, it's funny, it's tragic. I love it and if you haven't seen it you should watch it. And hell, even if you have seen it you should watch it again and pour one out for the fantastic Miguel Ferrer when you're done.


No comments:

Post a Comment