Sunday, July 31, 2016

Of course I read it

I'm fairly sure I've made it clear that I'm not much for drama, that I prefer reading things that are meant to be read rather than watched. Harry Potter and the Cursed Child has made that preference truly stark for me.

One of my major issues with drama is that what is said on stage has to be understood by everyone in the audience immediately. This leads to a lot of dialogue that sounds almost unspeakably unnatural. I'm sure it's easier to suspend disbelief if you're actually sitting in front of real people speaking on a stage than it is while you're sitting in a hot garage at four in the morning, but I don't have a stage with real people acting in front of me and so my disbelief went unsuspended. The dialogue in this play is really difficult to get behind.

I'm also pretty sure it took me less time to read this play than it would take me to watch this play (I read it in just under three hours) but even at that pace I found myself frustrated with the short-sightedness of basically every character and the frankly masturbatory conceits that peppered the plot.

***************SPOILERS*************but not major ones******just little spoilers**

Basically this felt like a piece of fanfic given the blessing of WoG. And I mean that up to and including the exploration of AUs, the needlessly complicated plot, and the closure with certain characters. It feels like it was supposed to be a feel good story.

I don't want to say much else, since it was released literally four hours ago, but I will say I'm disappointed. Of course it was never going to hold up to the originals, what the hell ever could? But even with my low expectations it felt trite and reaching. I didn't hate it, it may grow on me with time, but it is a totally unnecessary and self-indulgent addition to the Harry Potter series.

     - Alli

Tiffany, John. Jack Thorne, JK Rowling. Harry Potter and the Cursed Child. Scholastic.
     New York: New York. 2016.

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