Tuesday, February 25, 2014

Mobile - original short fiction

Mobile
by Alli Kirkham

Michael stood at the bottom of the telephone pole and looked up. Perhaps it was not so very high as he had supposed. The angel sitting on top of it certainly didn't seem to mind, anyway.

"Sir?" Michael called up to it. He wasn't sure if it was a boy angel or a girl angel or a neither angel but "sir" was the only honorarium he really knew. He was just a very little boy. "Why are you up there, sir?"

"Don't shout, child," the angel said, very quietly; its voice carried down to Michael easily. "I can hear your heartbeat from here - your shouting only hurts my ears."

"I'm sorry," Michael whispered, glancing around to make sure that they were still unobserved. It was getting to be close to time for the schoolbus to arrive. "But why are you up there?"

"It seemed like the place that I was supposed to be." This was answer enough for the little boy. He nodded cheerily and waved his hand and scampered away to the orange vehicle rounding the corner.

Hours later the creaking bus squealed to a halt and Michael's energetic form bounded out if it and down the street. He bounced into his house and up to his room, and was just piling up a mound of comic books in front of him when he noticed that the angel was now perched on top of the neighbor's house. Michael cocked his head to the side, studying the bright gold and white and gray creature only a few feet away and looking into his window. Michael pushed the pane out of the way and waved.

"Why are you over there now? Was it too windy on the pole?"

The angel nodded. "It was quite windy, and it smells better here too."

Michael sniffed cautiously at the air outside. "It smells the same to me."

The angel shrugged. "Well, then let us just say that is smells more right here than it did there. Read your books; I must think."

So Michael closed his window and pored over his comics until his parents called him to dinner. When he came back upstairs the angel was gone.

Ten years later, on a trip to the museum with his school, Michael saw the angel reproduced in stone. While the rest of his class wandered on and looked at paintings and laughed with one another, Michael spoke to the stone angel.

"Was it too windy on the roof too? Or did the smell change that night?"

Just as the young man was about to turn away, feeling foolish for his fancies, the angel spoke in its quiet voice. "It was no longer the place where I needed to be. That is all."

Michael frowned. "What changed?"

The angel answered: "You did." It spoke no more to Michael that day, or ever again.

Sunday, February 23, 2014

This machine just called me an asshole!

In 1985, for reasons that are beyond modern comprehension, Dino De Laurentiis decided to give Stephen King ten million dollars to direct a demolition derby with his boner. The footage of this demolition derby was hacked together and sold to the public as Maximum Overdrive in 1986. The public was willing to buy slightly more than seven million dollars worth of that shit before it said "no thank you" and nominated the film for two Razzies (worst director and worst actor).

It's no secret that I adore Stephen King, and I'm actually a pretty big fan of Dino De Laurentiis films (considering that he produced Dune, Army of Darkness, and three other Stephen King films (Cat's Eye, Silver Bullet, and The Dead Zone)  this shouldn't be a surprise). In spite of the fact that I have a history of appreciation of the writer, director, and producer of Maximum Overdrive I am surprised by how much I liked the movie.

It's just the little things, you know? A man glaring at a malfunctioning pinball machine and responding to it with a resounding "Yo' Momma!" is a startling moment of comic genius. And you have to appreciate a film that is so gleeful about slaughter, especially when it comes to killing kids in hilariously goofy ways - Spielberg certainly wouldn't have included a scene of a steamroller flattening a little-leaguer in any of his films, but maybe that's to his detriment because watching that sort of stupid gore is delightfully refreshing.

The movie is utter shit, of course, but it's the kind of prancing, giggling utter shit that I can really get behind.

And, in spite of the film's shittiness and Emilio Estevez's nomination for worst actor, there is one genuinely excellent moment in his performance. When Estevez's character, Billy, has spent a day in the sun fueling his truck overlords and thinks he's done because the station has run out of diesel, a fuel truck shows up and orders him toward the tank so he can keep serving his mechanical masters. Fed the fuck up, he gets into a chest-bumping argument with the tanker born of exhausted frustration and pure, straight-up crazy. His defiance in the face of a Mack grill, his refusal to be cowed before multiple tons of truck and gas, is actually pretty fucking great. Sitting there, watching this ridiculous film, I was touched and moved by Billy's frustration and desperate need to express some agency in his topsey-turvey world. And when you can make me feel something other than blood-fueled glee in the middle of a film as ridiculous as Maximum Overdrive, you're probably doing something right.

Cheers,
     - Alli

By the seashore - original short fiction

By the Seashore
by Alli Kirkham

She wandered in the morning fog, stooping now and then to turn some sand over with her hands. Once in a while she would pick up a stone or a shell and place it in the pocket of her apron, and with the same frequency she would examine the contents of that pocket and discard a different bauble. When the sun started to burn its way through the shroud of mist she turned her footsteps back to her little cottage and started cooking breakfast.

It was quiet and cold here most of the time. There was sunshine for part of the morning for several days of the year but it was usually covered over by clouds by noon. She went out every day in the fog and traded treasures for treasures, always hoping to discover or rediscover the right piece of the puzzle.

She spent the day inside; she baked bread and tidied the house and swept out the ever-encroaching sand. She went into a great whitewashed room with a blue-painted floor and arranged shells and stones in circles and spirals and sometimes into towering structures augmented with glass and steel. She lived alone.

The weekend came, as it always did, and she gathered her creations into a great basket that she carried over her arm with some effort. In her other hand she carried a great plum pie.

The fair was happening, as it always did, in the brief hours of sunshine. She spread a blanket on the sand and laid out her wares, putting the pie in front.

A girl holding a bowl of curds and whey trudged by. A towering boot full of childish noise could be seen not too far down the beach. A young boy with an impish smile darted up to the edge of her blanket and breached the gleaming crust with his thumb, pulling it out with a plum on the end and scampered away, shouting "what a good boy am I!" as he went.

She spread her skirts out and sat herself down and for that brief sunny period, as she had for the longest reach of her memory, she sold seashells by the seashore to all who asked after them.

The boat, not the star-symbols


Whenever I'm feeling down I use Science Fiction to try to break me out of it. Zodiac is not exactly SF, just as Neal Stephensen isn't really a genre writer, but it does the job in a pinch.

I'm a pretty big Stephenson fan - I've read almost everything he's written (and what I haven't read is on my Amazon Wishlist if anyone is curious) and I uniformly adore it. Most of the Stephenson fans that I know don't really like Zodiac but it makes sense to me in the context of when it was written in it's author's career; when you aren't really a name no one is going to publish your thousand-page love-letter to cryptography, but if you write up an eco-thriller with a side of genetically modified bacteria then you're one step closer to getting your crazier ideas put on bookshelves everywhere. And aside from all of that, it's fun as hell. It follows what has become the classic arc of a Stephensen novel and has all of the wonderful elements that he interjects so beautifully into his fiction - hilariously apt descriptions, asshole protagonists who are aware of the fact that they're assholes, interesting female characters, and a whole lot of shit that is more technical than many readers are comfortable with (in this one it's just a little chemistry - no diagrams or scary math).

Reading Zodiac is like slipping into a big, warm, cozy robe for me. It's familiar, it's relaxed, and I'm probably having a pretty good time. The pacing is a little manic, and it's the fastest-reading Stephensen book that I've encountered, but that's perfect - it's an easy couple of hours that gets your head into a really interesting place with out making you think too hard about depressing shit (though, yes, dissolving dolphins and the state of the Boston Harbor are depressing as all fuck).

I think that everyone should read Stephenson, but even though Zodiac is one of his earliest works I don't think it's the best place to start. Pick up Snow Crash, move on to Diamond Age, and then read Cryptonomicon. If you can get through that you're set and you'll have the foundation to work on the rest of his books and know what you're looking at and who you're dealing with. Yes, he tends to use "types" in his novels, but goddamn if they aren't fun people to hang out with. I like techy-but-socially-awkward guy and tough-as-nails-sarcastic-savvy-girl. They're my buddies, and they're why I keep coming back to everything that Stephenson puts out - he keeps putting them into interesting situations that I want to see them get out of.

Cheers,
     - Alli

Stephenson, Neal. Zodiac. Grove Books. New York: New York. 1981.

Humor and humanity

 
I am not as familiar with Vonnegut as I should be. Before I finished reading Jailbird the only work of his that I'd ever completed was "Harrison Bergeron," which I don't think I've re-read since 2008. My copy of Jailbird has been sitting on a shelf for years, waiting to be read, and I'm happy to have finally gotten to it.

Jailbird is full of wry humor, absurdity, and humanity. The narrator's resignation to his designation as a Harvard Man is pretty much the overarching theme of the novel and it's an attitude that I can get behind. Walter has been made into who he is by orders given by others; the thought those orders would transmute themselves into talismans guiding his life and is disappointed that they never did. It's only once he starts going against orders and purposefully doing the opposite of what he's expected to that he's able to make any good come into the world, and even that good is questionable.

I can't quite decide what is the most obvious target of the book's criticism. Old Boy's Clubs, Unions, Capitalists, the Economy, and the illusion of agency all have Vonnegut's biting humor aimed at them and none of them come out looking great. But at least some concepts are approached with sympathy - the plight of the worker in the modern world is constantly examined and the workers are always empathized with.

The book has been making me think ever since I finished it, which I suppose books are supposed to do, and mostly what I've come away with is a reaffirmed contempt of bureaucracy and a driving need to participate more in my own life. At the very least, if that need to participate isn't possible, easy, or fun, I can sure as hell laugh at the world a little better now.

Kilgore lives,
     - Alli

Vonnegut, Kurt. Jailbird. Dell Books. New York: New York. 1981. OP 1979.

Saturday, February 22, 2014

Porcelain - original short fiction

Porcelain
by Alli Kirkham

Everyone knows that if you kill yourself it's not murder; it's suicide. That raises the question (for me, anyway, and I know I'm probably alone on this): if it's your own house is it still arson? What if your burn site is really safe? What if you don't want insurance money, just to wreck something? What if there was a very good, possibly universe-saving reason to burn this fucker to the ground and close the door forever? Or maybe it's only arson if you're crazy instead of right.

It started with bugs which, I know, is not the best way for something not-crazy to start but that's how it happened so what are you gonna do about it? There were bugs. At first it was just big beetles with colorful wings, and they weren't frightening so much as they were wonderful. Sure, you might not want bugs in your bedroom but if you're going to have them they might as well be jewel-bright and make music with their wings. The beetles were eaten by some kind of beetle-eating-termite that chittered and clattered and kept me up at night (they didn't eat the beams or my bed, just the beetles, but they looked a whole lot like termites). Those in turn got eaten by a plague of spiders. I slept in the yard for a week, not wanting to see what was awful enough to destroy the spiders and when I moved back in (covered in bites from totally normal mosquitoes) the bugs were gone and I was okay for a while.

Don't get me wrong; once in a while there were clanking sounds in the middle of the night, blood ran up the walls in the bathroom every three days, and the ground floor of the house held steady at freezing for three months, but none of that was a patch on a sudden invasion of spiders because seriously, fuck spiders. All of this was real, by the way. I still have one of the beetles in a jar (hot pink and the size of my fist), I sent some of the bathroom blood to a lab (it came back B positive with early-stage syphilis), and I had a webcam trained on a thermometer in my living room the entire time. I know that all of that stuff can be faked pretty easily but proving that any of it was real will be really hard (except the bug, but I want to wait 'till he's dead before I ship him off to get sliced into bits by some asshole at MIT or something).

I don't do drugs or anything either, if that's what you're thinking. That shit killed my dad and it killed my brother and I've been sworn off anything stronger than apple cider for more than a decade.

So there were weird things going on. It happens. I tried not to let it get to me, not to get in the way of my day-to-day life. Nobody in management cares that you have to schedule your showers around a menstruating plumbing system. You still have to buy groceries, even if you have to put them in the fridge to keep them from freezing solid on the counter. Life goes on.

But then there was the doll.

Some people have a thing about dolls anyway - Charlie MacCarthy dolls and porcelain dolls are profoundly creepy even if they're just sitting quietly on a shelf. Cabbage Patch Dolls are lumpy, gross little near-human shapes. Dolls just have always had a way of slipping right into the uncanny valley, even before the valley was defined. This doll was different. She was creepy, all right - a porcelain doll with fixed curls and a frilly dress and slightly off-kilter eyes. The fangs were unusual, though.

Through all of human history there have been haunted doll stories. I know my situation isn't unique, I know you've already heard it before, I know you're expecting something to jump out of a dark corner or to just shift slightly in the periphery of my vision or climb up into my bed at night, but you have to understand that all of that had already happened. I was used to seeing nightmares in the edges of the vision and picking bugs off of myself in the morning; that had become standard by that point in my life but the doll was different. For all her fangs and horror the problem was that I loved her.

She showed up next to my butter dish at first. I came downstairs to find her on the kitchen table, wearing a pretty satin dress the exact same shade of blue as her eyes with painted freckles that matched her russet curls. I shrugged it off and turned on the stove and heated a pan. Shit shows up, you know? Then I turned back to get the butter and saw off a chunk to cook my eggs and saw that a jagged bite had been torn out of the frozen cube, a bite made with needle-fine, closely-spaced little teeth. A bite about twice as wide as her painted smile, but one that I was sure was hers nonetheless. Her little head was bent forward. Her little hands were clean. I backed out of the kitchen and decided to give up on cooking breakfast - I could grab something on the way to work.

When I came home she was gone; I checked the house very carefully to make sure, not wanting to find one of those needle bites taken out of my face or my throat in the middle of the night. There was no sign of her.

I pissed in the yard the next morning. It was the bathroom's day to bleed so I made use of a tree in the yard. I found a skinned, decapitated rodent by the stoop on my way back in. Breakfast was bacon sandwiches and milk. The doll was sitting on the passenger seat of my truck, neatly buckled in and wearing a bleeding squirrel-tail stole.

"Did you eat its head?" I asked, not expecting a response. That I didn't run screaming for miles and miles when she answered probably speaks poorly of my sanity. She turned her little face toward me, grinned widely and horribly with her terrible little teeth, and nodded. I closed the door and left her in the cab. I called in sick to work. I cried and tried not to remember the fur caught in that grin and I failed.

I had collected a lot of books about magic and witches and fairies and nightmares since all that shit had started to seem real. A few of those books had chapters on cursed objects, some had mentions of haunted or living dolls. None really seemed to touch on my dolly exactly. She could bite through frozen butter. She could bite through squirrel gristle. She had teeth that looked like hatred.

I had a bunch of mason jars in the basement. She probably couldn't bite through glass. Hopefully. I spent a few minutes hot-gluing iron nails to the inside of the lid of my biggest jar just in case. Iron's supposed to help against magic, right? I made sure to grab the salt off of my icy counter on my way back out the truck, unscrewing the lid to the shaker and holding the jar under my arm.

She was still buckled in, still grinning, and still tracking my movements with her head. Her curls rustled as I unbuckled the seat belt and pulled it away from her and her hands fell into a cruciform position. I poured a half-circle of salt around her on the seat and got to hear her voice for the first time - it was like the whistle of a teakettle, grating and harsh. She started to rock back and forth as I lowered the jar over her, but her body was soft and stuffed and didn't have any real joints so she couldn't move all that quickly. She shrieked in that bubbling whistle and I worried for a second that the glass would break but the sound cut off when I slid the nail-covered lid under the lip of the jar. Just like that, quiet. Her sharp little mouth had opened in horror and she was trying to kick away from the nails. I flipped the jar right side up so that she wasn't touching the metal and she stopped struggling. She looked almost like she was panting, actually. But she couldn't have been - she was only porcelain and silk and stuffing. She didn't have lungs to pant.

I carried her back into the house, refusing to look down at the jar, refusing to see that little stuffed chest rising and falling. The tink-tink-tink of porcelain on glass went down with me into the basement, faster than my footfalls. Not something rocking. Something tapping. Something that I didn't let myself look down and watch.

The bathroom stopped bleeding at midnight so after a long day of getting solidly drunk I went upstairs and took a shower. It was hot and comfortable. I relaxed under the water and tried not to think about exactly how bizarre my life had become.

That night I dreamed of silk and a gasping mouth calling out my name.

I was happy to piss in a bowl instead of in the dirt the next morning. Every time the bathroom bled the walls and floors were miraculously clean the minute the clock struck twelve, so at least I didn't have a part-time gig cleaning up a syphilis vector.

I threw on a cozy scarf and cooked breakfast, taking the time to pack a lunch as well. I'd been eating too much fast food since my life went haywire. Before I left for the day I tromped downstairs to check that my jar had held up and the dolly wasn't wandering lose with her shark smile.

The jar was still on the shelf where I'd left it, a clear space far back from the edge so that she couldn't tip it over onto the floor. As a precaution I'd drawn a circle of salt around it as well. Dolly was still in there, hissing at me silently through the glass. I tipped a mock-salute to her that stalled halfway through.

She looked different.

Still the same blue eyes and dress, still the same reddish curls and freckles, still the same mouth full of nightmares. But something was off. Since I couldn't pin it down I shrugged and completed my salute. Went back upstairs, hopped in my truck, and drove off for a long, fulfilling day of screwing lids on at the mayonnaise factory. I was halfway to work before my head finally put together what had been different about my little guest. Her stuffing had receded. When I put her in the jar yesterday her hands, shoes, and head had been porcelain - everything else was just a lumpy stuffed body. Today she'd been porcelain up to her elbows - the sleeve of her dress had pulled up enough to see that she now had wrists, at least. Maybe she had ankles today too.

I forced myself not to turn around and check. Clocked in to work, tied on my hairnet, and spent the day twisting lids and reciting nursery rhymes to myself so I couldn't think about her in her jar at home. She hadn't knocked herself off the shelf, she probably couldn't, that was all there was to it. I had gotten her before she could get me, and I should leave her alone in the basement to moulder forever.

On the ride home I realized that I'd forgotten my lunch and left it sitting out all day. When I walked into the kitchen my sandwich had been spun up into a cocoon and was spitting maggots the size of my thumb. I picked it up in a trash bag and threw it into one of the ice-edged puddles in my back yard. I checked the kitchen again just to make sure that the maggot-moths hadn't infested my fridge and I hadn't left any other edibles out for them to find. The last time I'd left the butter uncovered overnight I'd woken up to find a feeding frenzy - those little squirming shits stank, and they bit, and I didn't want to spend another three days worrying about what happens to someone who gets bit by a monster maggot. I went out for dinner, then to Denny's until it was late enough that I could collapse into sleep the moment I hit the bed. When I slept hard I never dreamed. At least I didn't used to.

I didn't dream that night, or the next, or the next, but when I finally dream again, it was a shock. I dreamed of blue silk and rustling curls all around me, and beyond that there was only green glass and distorted darkness. I tried to run away but there was something wrong with my legs. I tried to claw myself standing but my fingers were frozen and I couldn't catch hold of anything. Finally I forced my numb legs to stand but I knocked my head on the roof and it burned me. I fell back down and put my hands to my face with a soft little clinking noise. I had dreamed that I was the doll, locked in a jar in the dark, but before my sleeping mind understood that I was swept into another dream, one in which a high, sweet voice sang me my sins as a cold, hard hand ran over my chest. I awoke with a screaming orgasm from the first wet dream I'd had in more than ten years.

I got up, shaking, and threw my pajamas into the hamper. My towel was wrapped securely around my waist and I was halfway to the bathroom when I remembered that it was bleeding today. Defeated, I stormed back into my bedroom and got into my sticky bed. Then I heard a slight tink-tink-tink that may have just been branches against my window. I got dressed and went down to the basement.

There was no denying it, now. She had changed. Her wide, child-like face had grown narrower and had shapely shadows tilted across her cheekbones. The blue silk dress had lost its ruffles and was shorter, sleeker. More adult. I could see her knees now, and her shoulders; she was losing more stuffing as more of her turned smooth, cold, and perfect. When I realized I'd just thought of how perfect she was, she bared that vicious smile at me and I backed away from her, up the stairs, and went right out the door. It was Saturday; I didn't have to work and I sure as hell didn't have to be here. I went to Denny's to drink coffee until the movie theater opened, then went to the movies and watched the same three insipid shows until it was dark again. Back at the house at ten o'clock at night I stuffed my sheets into the washer, keeping my back turned to hide her shelf, and remade the bed. I showered in my once-again-perfectly-normal shower and took an antihistamine to help me sleep. I didn't dream.

It carried on like that for a while. Once a week or so I'd dream of her then I'd go down to see how much she had changed and try to keep myself from fixating on how much more lovely she was becoming. I went to work, strange things happened around the house, periodically I'd go get coffee and avoid my home. Each time I walked down to the basement I knew that I was fighting with myself and eventually I knew that I was fighting to keep myself from reaching into the circle of salt and lifting the lid off of her jar. She wanted out and she let me know it by letting me believe that she wanted me with all of her perfect, cold little heart.

It was almost spring. Shoots were rising cautiously out of the ground and there were longer and longer stretches of days when the cold of my ground floor seemed like a welcome relief from the heat instead of a frigid wasteland. I could smell green honeysuckle blooms blowing their pre-flower scent into my window at night. I dreamed more frequently. I dreamed more deeply. I dreamed of her. Finally I woke up one night, the whistling of her sighs still high in my ears, only to realize that I was in the basement; I was reaching a hand out to her and the grin spread across her face was obscene in its savagery. It took so much effort to keep that hand moving after I saw her smile but I did. I picked up her jar and walked up the stairs and into the back yard. I took a shovel and walked with her to the dampest patch that I could find, trying not to hear her little hands tink-tink-tinking on the walls of her prison the whole time. I think the hole must have ended up being at least six feet deep, deep enough at any rate that I had to work hard to recover myself from it. I put her at the bottom and saw her hissing and howling at me as I shoveled dirt over her, stopping every foot to tamp it down as much as I could, hoping she wouldn't be strong enough to dig her way out if she ever did manage to get through the glass. Filthy, I went back into the kitchen and grabbed a canister of salt - one of a pack of six restaurant-sized containers that I had purchased after I first trapped her. I went out to her little grave and salted the earth above it, knowing that if someone came by and saw this that they would think I was crazy, think I was burying a person, would dig her up and let her out and she would kill me and I'd never be able to explain. But no one came by.

Things got almost normal, for a while. The bathroom took a day off of bleeding, and then another, until it only happened sporadically and then for only a couple of hours at a time. The kitchen warmed up, I slept better, no more bugs came. And then one night I heard a tink-tink-tink sound that might have only been branches against my window.

I walked through the house, through the cold kitchen, and down into the basement. The circle of salt was still there and her jar hadn't returned. My Dolly wasn't there. Instead there was a darling little ballerina doll lying alone in the center of my concrete floor, missing one slipper. I didn't take my eyes off her as I gathered my supplies - a jar from the workbench, some iron nails from the same dropped into the jar, salt swept off of Dolly's spot on the shelf to cover the nails, and finally a lid to that jar. I approached this new doll and upended the contents of the jar onto her. She immediately began writhing and shouting - where my Dolly had sounded like a teakettle, this doll sounded like grinding gears. I scooped her into the jar and closed the lid, the noise cut off but she continued to squirm away from the nails and salt, tink-tinking as her porcelain elbows and knees knocked into the glass. Her smile wasn't as awful as Dolly's had been, but she had long, raking claws to make up for it.

When Dolly had first appeared, I hadn't questioned it. Why would I? Weird shit had been happening for a long time before Dolly - you don't question rain when it shows up because it's just part of the weather. But rain isn't generally homicidal. I started to explore the basement. Large parts of it were just general basementey types of things - an old coal bin, a work bench, canned fruit. I started moving things away from the walls, checking behind tools and stacks of peaches. Nothing. But nothing didn't feel right. I eyeballed the coal bin and decided that it would be more crazy not to check it than it would be to dig through all that coal, so I started to dig. Halfway down I found the top of the door on the far side of the bin. I dug until I found the bottom of the door, a fairy door - no more than a foot high. I pushed it open and warm yellow light poured out into my basement. There was a single pink ballet slipper just within the range of my vision in that little yellow hallway. And all that I could hear coming from beyond that was the soft tink-tink-tink of porcelain on a hard surface.

It took less time than you might expect to pack everything I cared to keep into the back of my truck. It took more time than I had expected to dig up the first doll, probably because I had to be so careful not to break her jar open with my shovel. I didn't bother cleaning that jar, though. I didn't want to get anything more than a glimpse of what she was now - momentary flashes of her eyes and her teeth have been enough to haunt me ever since that day, so I'm glad that I didn't see more. I put her jar next to the ballerina's jar in a rectangle of salt and made sure to put more salt in front of the little door before I went to the local big-box store. I got iron sheeting. I got pounds and pounds of salt. I got twenty gallons of gasoline and maybe ten gallons of olive oil.

Dolly and her Ballerina friend were frenzied and rocking in their jars when I got back. I think they knew what I was planning. They got put on the other side of the fairy door, as far in as my arm could reach, and the space between them and the door got filled with salt as high as I could pour it. I riveted the iron sheet to the wall and pounded in all the nails that I could find for good measure. The coal I'd moved when digging for the door got pushed back over the iron shield. Then I started making use of my accelerants.

I live far enough away from town that no one called in the fire. I waited, on standby, with a garden hose in hand until the whole structure had collapsed into the basement and until the basement stopped throwing up flames. I hosed down anything in the yard for fifty yards around that might have been slightly dry, but it had been a wet winter and I didn't think anything would catch. I did not turn the hose on the smoldering mess that had been my house because I wanted to make sure that slag and ash were all that remained before I drove away.

It took another two days for smoke to stop rising but I was satisfied that the coal bin had been completely destroyed, and no passage remained from my basement into a porcelain world full of little smiles and yellow light.

I drove away. I hadn't had much of a social life in almost a year, and no significant bills since I'd paid off the house, so I had a few thousand dollars socked away. I wasn't going to seek insurance money, maybe just wait a few years and put the lot up for sale. Maybe to someone who wanted to build a landfill. The beetle was still buzzing in his jar when I crossed the state line - I caught him some flies to eat. I kept driving and as I did I kept thinking of haunted dolls. Every culture has a story about them. Every generation has their own unique version. Talking Tina. Chucky. You know what I mean. I thought of little porcelain hands and little yellow hallways and asked myself if there was anywhere I could drive to, no matter how far I went, that I could be sure wouldn't have a fairy-door full of russet curls? I didn't have an answer to that question that made me comfortable. I just kept driving.

Thursday, February 20, 2014

Saturday - original short fiction

Saturday
by Alli Kirkham

Marco was wearing some white taffeta monstrosity. He had dyed his hair bright red to match the stilettos winking out from under the full skirt. He looked cool and confident and light on his feet. He looked like a sundae, the bitch.

I was standing about halfway through the interminable line to the ladies room. Girls in front of me chatted and jabbered, girls behind me giggled and talked. I felt uncomfortably alone but that wasn't improved by Marco squealing my name and loudly announcing how grateful he was that I'd saved him a place.

"This is a girl's restroom, Marco. Are you a girl?" He flipped imaginary hair over his shoulder and batted his eyes at me.

"I am not a girl, but neither do I see any evidence that this is a girl's bathroom." He kissed my cheek and left a long smear of lipstick up my cheekbone ant into my hair. I rolled my eyes.

"Do you see the girls in line around you? I'd say that's pretty good evidence."

"No, what I see is a little blue sign with a little white stick figure. You know what that stick figure is wearing? A skirt. You know what I'm wearing? A skirt. As is everyone else in this line except for you. So maybe you're in the wrong line."

It was true. There was no sign saying "Women" or "Ladies," and, I realized feeling more self-conscious by the second, I was the only person in line wearing pants. I didn't like skirts, even at the club. They felt too exposed. "You may have a point, dearie," I said, patting him on the shoulder and wandering away. "I'll go find the bathroom for people with pants on."

I did. It was blessedly empty and relatively clean. There was no door on the one stall but I shrugged, sat, and pissed anyway. A guy standing by the sink took a bump of something off his thumbnail then ran water and snorted a few droplets up his nose. He glared at me when I came to wash my hands after flushing but I wasn't about to let myself feel judged by a dude using god-knows-what in the bathroom of a shitty Hollywood club.

I went back out to the bar and considered dancing. I decided I wasn't drunk enough to dance and didn't feel like getting there so I just leaned and bobbed my head and watched the lightshow and the people around me.

My cell phone buzzed in my hip pocket.

Marco had a problem and needed my help immediately in the girl's bathroom.

I texted him that it was the skirted bathroom, not the girl's, and that I didn't have a skirt so I wasn't allowed in. He replied that I was a horrible cunt and please come help right now I'm stuck.

Why not?

The line had gotten longer and the conversation near the front had gotten angrier. I edged up to the door and asked some drunk girls what was going on. They stopped laughing and grumbling long enough to let me know that someone was stuck. I told them I was here to help and shouldered past them.

This bathroom didn't have stall doors either. Marco was in the one closest to the entrance, next door to a toilet overflowing with shit and tampons. He had cried out his makeup.

"What the fuck?"

"Help me!" he wailed. The bottom four inches of his skirt were soaked in shit and urine all around. The toilet appeared to have eaten about a third of the back half of his dress. The suction had pulled the bodice far enough askew that I could see the padded, hot-pink bra he had worn to fill out the top. All in all it was easily the third most absurd thing I'd ever seen happen to him.

"What do you want me to do about it?" I had no idea how to handle this situation. This was not the sort of occurrence that I generally came prepared for, though clearly that was going to have to change if I was going to keep being friends with Marco.

"Are you telling me that this is the one time you don't have a knife on you?"

"I got the same pat-down coming in that you did, asshole. Why would I try hard to smuggle a knife in? I didn't think I'd have any emergency whittling to do tonight."

"Katie! You are always armed! I am strapped to a toilet and those dippy broads are laughing at me and I need your help!" I thought about wandering out and getting a bouncer, but realized that would probably get us both kicked out. Maybe for good. And this was like a second home to Marco.

I sighed and put my hand down my shirt and hauled out my yarn cutter. It's a round razor blade set in a pendant, used by yarnbombers (like me) and grandmothers everywhere.

"I'm going to ruin your hemline, darling," I said to him. He sniffled and hugged me when I reached behind him and started slicing him loose.

The shorter skirt with its hanging threads actually looked even cuter on him, the bitch. I made him go wash his hands while I hauled the mangled skirt up out of the u-bend. There was no trashcan in the room so I dropped the shit-smeared material on top of the clogged and overflowing toilet. There was no soap in the dispenser but a girl in line gave me a bottle of hand sanitizer that I wiped down with up to my elbows. She said I could keep it, and was just glad that the line to piss had started moving again.

Marco was already flirting at the bar when I joined him, reeking of isopropyl alcohol and fake violets. He no longer looked like a sundae. He looked like a beat-up baby doll but I could see where his smeared mascara and shredded dress were appealing to the proto-goth element of the club. All he needed was some stripy kneesocks to complete the look. As soon as I sat down he draped himself around me and turned back to his new catch. "This is my hero - she just rescued me from a man-eating toilet. Buy her a drink!" And the catch did, and listened to the story and laughed in all the right places at Marco's antics and my eye-rolls. I thanked him for the drink and didn't say much. I just turned around to watch the crowd and listened to the music and saw the flaring and fading of the lights overhead as they froze dancers, separated individuals from the moving bodies for a few fractions of a second, like lightning flashing in the distance.